The Seattle Opera, meanwhile, has already made numerous material and technical revisions to the designs for its brand new production of Orpheus & Eurydice (opening in January) due to rising material costs. Although supply chain issues for in-house manufactured assemblies such as Orpheus & Eurydice may increase costs, Doug Provost, production manager at the Seattle Opera, is very concerned about delays in importing sets from elsewhere.
All just opened Bohemian circumvented these issues because Seattle Opera owns this ensemble, but Opera plans to import ensembles for operas that debut next year. “So we still have a few months left. Hopefully we will have some sort of recovery in this area before it affects our operations, ”said Provost.
Building material supply chain issues are also having an impact on galleries and museums, as the materials and other supplies needed to set up the exhibit (custom framing, bronze casting, hooks and plywood for crates and transportation) are expensive and difficult to obtain.
“Having a fund built right now is 59%, or even 100%, more than a year and a half ago,” explains Sarah Traver. “Just recently, when shipping a piece of glass to a customer in New York, I had to say, ‘My shipping quote needs to be completely redone. Shipping costs are higher, checkout costs are higher – it’s going to cost you almost twice as much. ‘ ”
And some materials are just not available. Exhibition designers for MoPOP’s new music photography show Contact High: a visual history of hip-hop, opted for Sintra plastic instead of wood panels and then had to use white when black was not available. The team also had to convert the yellow acrylic display elements to a different color due to a resin shortage and are now making design changes for future exhibits due to a lack of 10ft plywood.
Local glassblowers also find that the colors they want are out of stock – which is especially difficult when it comes to fulfilling an order for a customer with pre-approved colors – just like glass. transparent base with which most pieces start.
“All of that being said, we do our best to get the color that our customers want, and they do their best to work with what we have,” says Terri Sullivan, Commercial Director of Hot Glass Color, a store and company. downtown glass art supply gallery. . “Out of all this comes a magnificent and sometimes surprising art of glasswork. “