Visit an Austin, TX Home Where Stunning Modernism Meets Traditional Design | Architectural Summary

It can be said that a historic house is only as good as its bones, but often you have to dig a little to find them. Such was the case for Carrie and Robert Hicks, who found their dream home in the form of a Tudor-inspired home built in 1926 in one of Austin’s oldest neighborhoods.

“We first fell in love with the location and the great big front yard. It was just a really wonderful space,” recalls Carrie, an interior designer who cut her teeth in New York and West Hollywood before moving to Texas.The home had gone through many hands in the nearly 100 years before the couple, who have three young children, took possession in 2015. Layers and layers of misguided renovations “The bones were there, and the structure was there, so the idea was to bring in Paul to save the historic 1926 house,” she continues, referring to architect Paul Lamb, who was in charge of the renovation.

But perhaps Lamb sums it up best himself: “You know that story about inheriting the ax from grandfather? He inquires in his soft Texan accent. “First the handle gives out and he replaces the handle. Then a few years later the head gives out, so he replaces the head. But it’s still Grandpa’s axe.

Despite decades of successive renovations, they were determined to preserve the original charm of the house and give it a touch of modernity. “What really caught my attention was that they liked the vibe of this Tudor house, but Carrie’s favorite architect is Mies van der Rohe,” Lamb says of the conversations they had. early in the design process. His solution was to preserve the existing structure and build an addition inspired by Mies van der Rohe. They opted for a minimal volume of steel and glass that rests on brick columns and protrudes from the rear façade. “I love that kind of challenge,” Lamb says, “trying to make opposites speak.”

Inside, the architect opened up what he describes as a “nest of rooms” to create a naturally flowing floor plan centered around a grand entrance, which he says alludes to clean lines. modernist villas. From here, the entryway leads to the dining room, where Carrie has mixed contemporary pieces with ’80s icons, like a Memphis-era Ultrafragola mirror by Ettore Sottsass, which overlooks an asymmetrical dining table from the Private Collection, Rose Uniacke Hoof consoles (whose legs looked like horse hooves), beige Puffball sconces by Faye Toogood and a vintage crystal chandelier.

“I really wanted the house to have a mix of art, design and real life,” she says of her mission for the house. “But we have three kids, a dog, and busy lives, so we wanted the space to be usable but still fun.” In the first-floor living room, that meant pairing a plush custom sofa—perfect for family game nights—with eye-catching vintage pieces, like a shiny, clean-lined 90s Marc Newson Orgone chair and mid-century wooden armchair. of the century by Guillerme and Chambron. The coveted art of Ed Ruscha – whose turmeric-colored painting hangs above the hearth – and the work of Dutch photographer Hendrik Kerstens have also been added to the mix.

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